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May 24, 2013, 01:40:44 AM
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Author Topic: The New Yorker on skateboarding's history  (Read 1875 times)
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256 Ply
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« on: July 19, 2012, 09:44:51 PM »

http://www.newyorker.com/online/blogs/culture/2012/07/top-thirty-skateboarders-transworld.html

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Bobby Peru
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« Reply #1 on: July 19, 2012, 10:26:33 PM »

That was great.
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alcol
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« Reply #2 on: July 20, 2012, 03:19:13 AM »

thanks, that was a good article!
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I'm a be on here until niggas start posting about my celebrity-skateboarder lifestyle exploits ala Lil Wayne.
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« Reply #3 on: July 20, 2012, 07:40:14 AM »

Finally a publication outside of skateboarding assigned a non-retard to writing a skateboarding piece.
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ChronicBluntSlider
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« Reply #4 on: July 20, 2012, 08:02:53 AM »

Finally a publication outside of skateboarding assigned a non-retard to writing a skateboarding piece.
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artichoke
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« Reply #5 on: July 20, 2012, 09:20:13 AM »

I just read an article fanning out on Gonz in The New Yorker.  With a Busenitz shout out.  That was surreal, but awesome.
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Nosferatu
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« Reply #6 on: July 20, 2012, 10:17:40 AM »

This article in this setting at this time feels important for some reason. Someone tell pilot light at Boil the Ocean. Maybe that was him?
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I thought it wasnt just him solo, shouldve stuck with my og thought.
Bloody Matt
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« Reply #7 on: July 20, 2012, 12:06:37 PM »

Dude likes Henry Sanchez.
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The Mess
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« Reply #8 on: July 20, 2012, 01:32:11 PM »

damn. good read and on point. props to the new yorker.
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i have nothing to fear but jesse himself.
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« Reply #9 on: July 20, 2012, 10:16:42 PM »

Quote
The person so many pros agree on is Mark Gonzales. This will come as little surprise to skaters, who are used to hearing his name pop up in such conversations. Gonzales, who is known affectionately as the Gonz, thought up avant-garde tricks and impresses skaters of all kinds with both his style and his uniquely free sensibility?as Matt Hensley, another great, puts it in his interview, ?There was no ?no? in it.? Gonz?s part in ?Video Days? is still often regarded as one of the best ever, not because it distilled years of the most intimidating, lengthily rehearsed feats but because it reflected an artistic and versatile approach to skateboarding, one with a memory, where the old mingled naturally with the future, and you still skated whatever you encountered on the way to the bus stop (as well as the stop itself). Where people saw un-rideable things?a long, zigzagging handrail, for instance, or two thin benches separated by a foot-long gap?Gonz saw ingenious new possibilities, and realized them without a further thought. His genius is both complex and simple: it entails doing tricks that are damnably hard?sometimes difficult merely to conceptualize?while making being on a board look like the greatest fun. Watching Gonz skate is to be reminded that the basic essence of the sport is a novel act of the imagination. It?s to be hit by a sensation with which most skaters can identify.

I've tried to explain to people (and I'm not old enough to have been there when it happened) why Gonz is my favorite.  This guy nails it much more eloquently than I ever could.
« Last Edit: July 20, 2012, 10:19:31 PM by GatorsGhost » Logged
ramplocal
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« Reply #10 on: July 23, 2012, 01:06:16 AM »

I just read an article fanning out on Gonz in The New Yorker.?  With a Busenitz shout out.?  That was surreal, but awesome.

very impressed w the article,awesome read
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kizzapalooza
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« Reply #11 on: July 23, 2012, 03:35:54 AM »

Another article by the same bloke

http://meanjin.com.au/editions/volume-68-number-4-2009/article/on-wheels-the-art-of-skateboarding/
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Beeda Weeda
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« Reply #12 on: July 23, 2012, 04:07:02 AM »

god read. It feels good to be an aging skater.
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Matze
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« Reply #13 on: July 23, 2012, 04:45:31 AM »

it's hard to disagree on something he wrote, which makes it awesome in the nerdy way.
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jums
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« Reply #14 on: July 23, 2012, 07:21:21 AM »

Cool. The Legacy article by Eli Gesner is better.
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