try experimenting with foot positioning (where you pop off of but also far down/up the board your back foot is). Also your weight distribution before and after you pop. I find it helps to kinda have more weight over my front foot before popping the nollie but then have to even out. Hard to explain but just try some different combinations of foot positioning and weight distribution.
If you can do a shitty nollie 5050 then your nollie is probably sufficient. Obviously also make sure you turn your shoulders around properly. Its one of those tricks where usually by the time I bend down I kinda have an idea if I'm gonna do a floaty one or a shite one.
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Thanks for the knowledge drop as usual silhouette, I'm going to try and find stuff with enough height and length to ollie over during my lockdown sessions.
Another one I've been struggling (more with) are nollie FS 180s, I can't get the timing to do the hefy but I can do them enough to do shitty nollie boardslides and nollie 50-50s. I always end up 90 degrees and sliding my wheels the rest of the way.
Yo my pleasure, it's pretty funny that by coincidence you're always trying to learn tricks that also happen to be my favorites (or maybe I just have too many favorite tricks). Frontside nollies are actually another one, I find that those work better if you think of them as a switch ollie going the wrong way with a translation (just like it's better to think of halfcabs as solid, ample ollies just popped fakie into a turn back to regs), most people commit the mistake of thinking of them as pivoting off the nose with pop somewhere somehow and thus don't keep their shoulders in check so they can't really get high ones and are likely to overturn their body in relation to the board.
I think for that trick it's key to have both feet well inside the board if that makes sense, for me at least back foot feels deep inside the concave and the front foot isn't on the tip of the nose but more like in the dead center (as you want to pop downwards for a good nollie and need to give it that nudge forwards to get the front wheels up, and then you turn your hips as you feel the trick leveling out). I feel like the shoulders don't do much on that trick, you're better off just facing the direction you're going to have a head start (whereas on a straight nollie you'd keep them parallel to the board) and then just using your lower body and it should all follow through. The motion itself is pretty simple and then once you get it down you can concentrate on pop.
Also from what I've observed, a lot of people will have great frontside nollies or nollie shifties but will suck at backside ones and vice versa, I reckon because the technique to get proper height on them is very different. So for some reason I suspect that you might be more comfortable with nollie backside 180's? (Really random question, I'm just curious)
Finally for your ollies, you don't even need something big to clear as it's all about figuring out the timing of the technique I described and then once you have you can easily apply to most everything (that's reasonable). Pretty sure what helped me was actually trying to nosebonk low-to-average height flatbars and keeping missing the bonk because it taught me to kind of 'wrap' my board around the obstacle as it clears it and then I find it just starts working on taller stuff as well. Jimmy Lannon is another good one to study when it comes to posture on that trick.
Thanks guys, I definitely find Nollie BS 180s easier, I can do them consistently but they are low and are nowhere close to being pretty; but the rotation feels much more natural than Nollie FS 180. There is an abandoned parking structure near my block of flat with some random trash around, I'll set that up as an ollie practice course. All this time indoor isn't helping my gear madness.
Spent the whole month focusing on back tailslides on curbs. Another trick I learned 15 years ago but haven't resuscitated the muscle memory for.
I haven't even slid one properly yet. I can ollie into them, but 95% of the time I don't get my entire tail on, or too much of my weight is on my heel, so I always stick. I'm trying to lean more toward my toes, take a wider stance, and turn more, but it hasn't worked out so far.
If you're getting the lock into the curb you're around 60% there, more speed, wax (especially the side of the ledge) and confidence would help. Not exceptionally good at them but I spend a lot of time analyzing and working on this trick when I'm at the park. Ollie-ing into a ledge stationary versus sliding are different.
Whenever I would stick it was because I was popping too high into them and trying to stomp my tail onto the ledge which would result in:
1) Sticking on the ledge
2) Having the board slip out under me
I try to think of it like you are popping your tail just high enough,
picking your back foot enough to slot your tail onto the side of the ledge. So if you're riding parallel to the ledge, you and your board are just continuing the forward motion but using your tail as an anchor to the ledge.
With tailslides you have to be much more deliberate with where you place your tail, with noseslides you can just smash your nose in there and hang on for dear life.
https://youtu.be/YD9PL9hWPzM?t=125This video really helped me out even though he doesn't go into specifics about the trick and spends most of the time doing 1/2 cab noseslides. Not trying to stomp the tail onto the ledge, just guiding it into position and riding on top of the ledge.
Last thing I'll add is don't forget how your hips factor into controlling the rotation of the board. I suck at doing BS Tailslides to regular but can do them to fakie, mostly because over-rotate my shoulder during the turn so that momentum continues throughout the slides and pushes me out to fakie. On the 1 week I could come out regular I really focus on pivoting from my hips; so my head is still pointing forward, my shoulders are parallel to the ledge and the board rotation is controlled by my hips entirely.
https://sidewalkmag.com/longform/advanced-bs-tailslideThe explanatory notes are generic but frame 6 is what I'm talking about with regards to the hips. That allows you to keep your shoulders parallel and control the exit to regular or fakie.
Small controlled motions give the best control on tricks.
Edit: went down a Jon Allie rabbit hole and found this perfect BS Tailislide he does in New Blood; rotation is all in the hips. Feels weird paying that much attention to a dude's hips.
https://youtu.be/9dibBsXQBas?t=88(Not an expert but having a forum to share my thoughts helps me crystallize my thoughts and process of a trick)