I'll share my scene files and tips since I'm sick of seeing crappy footage that looks blurry, overexposed, too warm/cold and other no-nos that detract from clips. All scene files use Video Cam, Chroma Phase=0, Color Temp=0, A Iris Level=0, Skin Tone Dtl=Off, Knee=Auto. These are in HVX scale instead of the finer grained HPX scale, so HPX-users should approximate accordingly.
I just realized I never use Normal color matrix, I think I made a decision to move to Enriched because it captured a little more blue/green, and wasn't overly warm all the time.
I feel like most filmers nowadays tend to use one of the Cine gammas or just standard HD norm. I'm a huge fan of B. Press though and have moved to almost always using it lately.
These scene files aren't gonna be worth shit if you don't know how to properly white balance the camera. It's more than just focusing on something white and hitting that button. The basic logic is, if you give it something warm, it will cool it down, and vice versa- if you give it something cool, it will warm it up. So have a couple different warm vs cool shades of white paper in your camera bag to play around with as you set white balances A and B, or find different examples of "white" in your environment. I prefer a slightlywarm look from this camera and I feel like most other people do too. Also play around with white balancing in the shade vs. in the sun. Be critical of your picture; you can achieve awesome looking colors natively in camera with some patience and playing around.
Other tips:
Adjust your gain settings to 6db for low and 9 for high. Any higher really looks like shit unless you are gonna take the time to clean it up in post.
If you're filming 60 frames a second, e.g. either 720p/60p or 1080i/60p, don't film at 1/60 shutter speed. It's a lot more smear when you pan quickly vs. 1/120. You could use 1/120 and gain at 6 or 9db, and with the right gamma/matrix and other settings, it'll look pretty good.
SCENE 1 - HDNORM - Standard HD look, if not a bit noisy. Shadows look more vibrant and less soft/grey than in other scene files.
DETAIL LEVEL +4
V DETAIL LEVEL +4
DETAIL CORING +4
CHROMA LEVEL 0
MASTER PED -3
GAMMA HDNORM
MATRIX CINE-LIKE
SCENE 2 SOFT - Probably the most organic looking image out of the camera. No extra sharpening. B-press is like a half way point between a cinematic and "digital video" image, and definitely the least noisy out of all the gammas. Paired with Cine-like matrix, the colors are too saturated to my eye, so I backed off the color a bit.
DETAIL LEVEL -7
V DETAIL LEVEL -7
DETAIL CORING -2
CHROMA LEVEL -4
MASTER PED -1
GAMMA B.PRESS
MATRIX CINE-LIKE
SCENE 3 BPRESS - Like Soft, but sharper. It's a tie for cleanest picture between these 2, and I film with them 90% of the time.
DETAIL LEVEL +4
V DETAIL LEVEL +4
DETAIL CORING +7
CHROMA LEVEL +1
MASTER PED +1
GAMMA B.PRESS
MATRIX ENRICHED
SCENE 4 HIGH - Good for low-light. Noisy as expected.
DETAIL LEVEL +4
V DETAIL LEVEL +2
DETAIL CORING +4
CHROMA LEVEL 0
MASTER PED 0
GAMMA HIGH
MATRIX ENRICHED
SCENE 5 CINEV - The Panasonic look. Again, backed off the color a bit.
DETAIL LEVEL +4
V DETAIL LEVEL +2
DETAIL CORING +4
CHROMA LEVEL -2
MASTER PED 0
GAMMA CINELIKE V
MATRIX CINE-LIKE
SCENE 6 CINE D - Best for capturing shadow detail / dynamic range if you actually intend to color correct or grade in post. Kinda noisy, I rarely use it.
DETAIL LEVEL +4
V DETAIL LEVEL +2
DETAIL CORING +4
CHROMA LEVEL +1
MASTER PED 0
GAMMA CINELIKE D
MATRIX CINE-LIKE