My dad exclusively played acoustic guitars his whole life, when he passed away last year I inherited about 8 acoustic guitars but the actual last guitar he ever bought was a Squier HSS strat that he bought about a month before he passed because he wanted to give electric guitar a shot.
As a dominantly bass player, it's the only electric guitar I own (aside from an unidentified 50s' Gretch hollowbody electric that I don't play, needs a lot of work).
So my conundrum is, a part of me wants to hot rod the living fuck out of that Squier. Swap out new pickups, hardware, maybe even the neck. Maybe even custom paint. The other part of me wants to leave it exactly as my father bought it.
Any thoughts on this?
If pro-Hot Rod, any advice on getting the most out of a Squier HSS strat?
Squire shit is fire. HSS is my second favorite configuration after triple H.
I would consider a nitro finish. Gun oil finish neck.
My dream is to have a burgundy mist under coat with an Oxblood finish.
That Clapton carve soft v neck with a compound radius is always on my mind.
If I can. I plan on collecting as many "cheap" instruments as I can and building customers out of them.
Start Ass Fleas Custom Shop. One of my main influences in this is CCS Kevin.
You ever watched Kevs Creations? I fuckin loved that show.
I led me to imagine what if I could build guitars like crazy shit out of parts that go mostly underappreciated.
I wish I lived out there. I'd definitely ask to work in a wearhouse. Wearhouses are fuckin awesome. Look at all the thoughts I got from Ben Degros ' visit to Baha.
I saw that coping and thought We need a Slap oim or whatever Baha edition finalists get passed over to thrasher koth and the entire trip ends at bust or bail.
I Kno it's not possible but it's a beautiful dream that video gave me.
This is how I dream. I wanna share nice things we go with the word. Especially underappreciated aspects of our art culture.
Even with my band Scumbari. My mindset is what elements from the past of hardcore or other genres are missing in 2024.
It's working. Other musicians mention these tactics. Especially unison bends full bars and triads.
Even my main guitar is doing that. I got an Epiphone Junior and put a Super distortion in it. Best move I've made in decades.
I highly highly highly recommend the BJA Jr as a platform.
I too was a natural born Bassist. If you look at all the instruments of my past you would notice there was very little wear in the highest registers.
The reason was my thumb position was hurting my cause. Now I got that straight it's on.
I even got compared by the producer who just met me to Lesley frickin Buckingham.
I could see that one of the homies in the band wasn't feeling this compliment as he's used to gathering all the highest compliments.
He just went WHO! Peter Green! I was full tripping at that moment.
I fuckin love Peter Green. That's my fuckin guy. He said no the other guy. I went a looked later which I usually wouldn't ever do for fear of influence.
It was fuckin true. I been not believing in myself since 1991