Kicking things off with the slam and taking him to crusty SF spots feels very orchestrated. Which is not necessarily a bad thing, in fact I love seeing him skate those spots, however it didn't go well with that horrendous song.
That being said, he really is a master of twisting and stopping the rotation in the most fluent way possible—the Bs Nollie to Sw Fs Smith is absolutely insane, but the Fs 180 Fakie Manual into the steep bank also comes to mind.