That's all fine and dandy but in each section where he flips his board he goes either goes nollie or fakie in both A and B. But in section 4 he goes nollie in A then goes switch in B. He fucked up his own verso.
I don’t want to suck Mark’s presumably perfectly symmetrical balls too much here, but he does discuss this to some extent in this interview:
http://www.villagepsychic.net/blog/rules-of-skateboarding-13-mark-suciufor those that don’t want to read the whole thing but do want the juicy part where he shit talks his elder teammates’ trick selection-
“It does have to do with my slight discontent with mirrored lines. They’re supposed to be conceptual, but it’s the case of a concept completely ruining the skating. If you do a mirrored line, everyone is going to know what you’re about to do on the fourth trick. I love Silas so much, but he posted that stupid line where he does half-Cab up the curb, frontsidle flip the gap – It’s at a shopping center –then nollie frontside180, switch frontside flip the gap. You know he’s going to do when he nollie frontside 180s the curb. You know he’s going to switch frontside flip the gap. The reason he posted that is because it’s a concept, but the gap wasn’t that big, the tricks aren’t that hard.
So yeah, I think mirrored lines are kind of dumb, but my brain still gravitates towards them. I wanted to mess with it a little bit. Say Silas did half-Cab up a curb, frontside flip, then the next line was nollie frontside 180, switch frontside 360 flip. That would be a little bit cooler. It keeps the structure, but it’s a surprise.”
Anyways, the idea for me is more about movement than perfect symmetry, or trick nomenclature. When I first watched the part, the Verso section didn’t do anything for me because super tech ledge maneuvers that only grind the last 6 inches of the ledge are arguably the worst kind of skateboard tricks out there. But on repeated views, the Verso thing kind of sunk in and i realized it might be more about diving deep into a directional, spinning kind of thought process that you can only really accomplish with that ledge in the middle to stop your motion and unwind in the other direction. In other words, I feel that the Verso is more about the dancing aspect of his skating than it is about all the flipping and the grinds.